本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。

《海上钢琴师》原著作者。1958年生于都灵。1991年，处女作《愤怒的城堡》获得意大利坎皮耶罗奖、法国美第奇外国作品奖。1993年，《海洋，海》获得维多雷久文学奖和波斯克城堡文学奖。1994年，《丝绸》一出版便立刻登上意大利畅销榜，热潮迅疾燃烧整个欧洲，盘踞各国畅销榜单。 1998年，作品《海上钢琴师》被知名导演托纳多雷改编成电影。巴里科的作品，有着浓烈的艺术与童话气质，富有实验性与音乐感，浓缩着人类最为美好温暖的情感，既古老又新鲜，既传统又现代，散发着无穷的魅力。他的非虚构作品《野蛮人》曾探讨了写作与数字化革命之间的关系。在新作《游戏世界》中，巴里科重新回到了这个话题，将他的视角扩大到数字革命对人文主义思想和文化的影响。

Giovanna's pretty face has changed: it's turning into the face of an ugly, spiteful adolescent. But is she seeing things as they really are? Into which mirror must she look to find herself and save herself? She is searching for a new face in two kindred cities that fear and detest one another: the Naples of the heights, which assumes a mask of refinement, and the Naples of the ...(展开全部)

Two years before leaving home my father said to my mother that I was very ugly. The sentence was uttered under his breath, in the apartment that my parents, newly married, had bought in Rione Alto, at the top of Via San Giacomo dei Capri. Everythingthe spaces of Naples, the blue light of a very cold February, those wordsremained fixed. But I slipped away, and am still slipping ...(展开全部)

Giovanna's pretty face has changed: it's turning into the face of an ugly, spiteful adolescent. But is she seeing things as they really are? Into which mirror must she look to find herself and save herself? She is searching for a new face in two kindred cities that fear and detest one another: the Naples of the heights, which assumes a mask of refinement, and the Naples of the ...(展开全部)

Giovanna's pretty face has changed: it's turning into the face of an ugly, spiteful adolescent. But is she seeing things as they really are? Into which mirror must she look to find herself and save herself? She is searching for a new face in two kindred cities that fear and detest one another: the Naples of the heights, which assumes a mask of refinement, and the Naples of the ...(展开全部)

Giovanna's pretty face has changed: it's turning into the face of an ugly, spiteful adolescent. But is she seeing things as they really are? Into which mirror must she look to find herself and save herself? She is searching for a new face in two kindred cities that fear and detest one another: the Naples of the heights, which assumes a mask of refinement, and the Naples of the ...(展开全部)

Two years before leaving home my father said to my mother that I was very ugly. The sentence was uttered under his breath, in the apartment that my parents, newly married, had bought in Rione Alto, at the top of Via San Giacomo dei Capri. Everythingthe spaces of Naples, the blue light of a very cold February, those wordsremained fixed. But I slipped away, and am still slipping ...(展开全部)